Macron, Starmer, Kristersson are Not Immune to Human rights Violations, International Community has UN duty to Stop their Political Corruption and Theft against Lea and her kid

LA Music band Wallflowers are well known to LA/London musicians Lea has worked with, for HQ censoring Lea's Networking since 2006 Rami Jaffee split, which Lea dedicated her Kurt Cobain book while reporting them to Action Fraud UK, before Lea and her kid were commuting to Paris.

They are lobbying Ex US Democratic party leaders of Middle East wars for diplomat deals with Macron, Starmer and Kristersson, who are targeting Lea's Minor kid with Paris ASE political corruption, while preventing Lea from working in peace, and making fake association statements to head of States with Erdogan, Barzani who have Never been Representatives

Lea is an Independent worker who owns all rights for all her works which are all hers in her name and about herself and her life, all of her works, including her Independent publication and productions, everything she has ever published on her official site works sites, as her social media

This has been handed to several members of International Community with documents against any administrative misconduct alibis of Macron, Starmer, Kristersson

Lea's kid, Westminster pupil William 'The Scout' is still Paris ASE political corruption detained from his Saint Germain Des Pres neighbourhood with Macron run Paris ASE political corruption despite always having endless documents against it

Lea owns all rights for all her works which are all hers in her name and all about herself and her life, she promotes, publish, and works for her own career.

Slavery was abolished 1833 and slaves used to get paid butter, Macron and Starmer still even butter over 3 years while Lea has Always been Recognized to the LA/London Musicians and Recognized by Everyone in France, UK, Italy

This is also all Public to their Members of Parliaments, enough people in Sweden follow this and endless France UK lawfirms professionals UK authorities Always had documents against any of Macron Starmer Kristersson administrative misconduct alibis

Lea is in contact with International Community, and international Intervention will be brought if her kid who always had documents against Macron run Paris ASE Political corruption it isnt Returned where he was detained from, so they can Get out Macrons corruption and theft, to live work in Democracy

在有关对马克龙、斯塔默和克里斯特松的政治行为与问责问题得到解决之前,法国、英国、瑞典、土耳其、库尔德地区政府以及美国不应就任何关联事项发表声明。

Lea Always have her name and her face on her social media always only post public, everything she post is hers and about her and her life and her works, its always linked to her Official site and she always have NoDM notification as her Networking is HQ censored which is forwarded International Community

Follow the racial harassments, political corruptions censorship and inhumane theft of the West against Independent working mum Lea and her kid, and share with lnternational Press and Democratic Head of States for Intervention

saintgermaindespres.blog

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LEA CELIK SOMMERSETH SHAW

William's Mother Londoner, Swedish Kurdish, Writer, Publisher, Composer Filmmaker, Geocultural Architect Social Reformer Philosopher Pilgrim Philanthropist Independent Political Candidate founder of Evergreens party

Lea Sultan Celik Sommerseth Shaw and her LCSS INC Cargo Culture book on Tupac. Author Self portrait © Lea Celik Sommerseth Shaw alphaomegaeditorials.com

In 1996 while in Sweden, Lea and her brother Sehmuz used to work on music and film projects, her brother was in contact with Tupac on some collaborations and it was one of his favorite musicians, Later in London through her Brick Lane music venture Cargo Culture, Lea held various music projects, this is dedicated to her brother and Tupac, which she wrote while working with some project for African Union

Editorial cover © Shakur Estate. Writer, Publisher, Proofreader, Editor, Creative Direction © Lea Celik Sommerseth Shaw

The Mediterranean

by Lea Celik Sommerseth Shaw

After my early scientific studies in the village of Pippi Longstocking, where I also studied children’s literature, I continued with literature and later with film. During Bergman’s preparation for Mary, Queen of Scots, I had a brief meeting with him and his team. I wrote a screenplay for my then neighbor, Freddie Wadling, but at that time he was recording with Sophie Zelmani, and that project became one of my first screenplays.

Later, in London, in my King’s Cross neighborhood, I studied Gallery Management at Birkbeck after some exchanges with Hasselblad in my hometown, and then continued my film studies at Ravensbourne and Ealing Studios. During that period, I was in contact with Joe Dallesandro and wrote a screenplay intended for him and Jane Birkin. However, Joe’s wife did not wish for him to work with female directors, and so I kept it as my second screenplay.

In Saint-Germain-des-Prés, my son and I often encountered Adrienne Pauly and the Mastroianni family in our neighborhoods. I knew well the king of Italy, and this brought me back to my years in Lund and to Anita, a critic of Marcello and Fellini. Yet in my Saint-Germain-des-Prés neighborhoods, the essence of Marcello was undeniable. I wrote this book as a quiet and poetic love story, dedicated to the golden age of Italian cinema.

At its heart, Marcello Di Fellini treats cinema not merely as entertainment, but as a space for existential inquiry. Indigenous to the Mediterranean and Mediterranean at heart, born on the Aegean coast of Smyrna (İzmir), with roots in the native Kurds of Mesopotamia extending to the Russian peninsula, this is a true reflection on Mediterranean philosophy. Marcello Di Fellini is my dedication to Italian cinema; it is a timeless bridge connecting history with authentic Mediterranean philosophy.

Italian and Spanish publication scheduled for July 2026 with a larger publishing house that will represent me and my book,
Lea Celik Sommerseth Shaw

10 February 2026
Saint-Germain-des-Prés