Lea and her kid Westminster pupil William Alexander Noah 'The Scout' Saint Germain Des Pres July 2022 © Lea Celik Sommerseth Shaw, LCSS INC
Europe can Never make association statements to Lea, her kid and her works and has to withdraw Macron and Starmer Paris ASE Political Corruption from Lea's kid without International Intervention
Nonaffiliated Criminal thefts Macron and Starmer who are "Online stalking and down the road at Cafe De Flore Impostor Eating" has taken their administrative theft other than China also to Vatican
Under Universal Jurisdiction Doctrine, Palermo Doctrine, ICC Article 27 any country can arrest the UN declaration disrespecting Macron, Starmer and Kristersson who run corruption with their administration while making Fake association statements with Erdogan who has No association
The LA band Wallflowers are well known to musicians in LA and London which Lea has worked with for interfering her professional networking, since 2006 and their Rami Jaffee split, to whom she dedicated her Cargo Culture Kurt Cobain book
Lea has now her Youtube and TikTok as her only Social Media, she always have her name and her face on her social Media which is linked to her Official site, and always post only public and always have NoDM No Post Notification as her Networking is HQ censored and her Post Correspondences Funds stolen, which is forwarded International Community for intervention.
youtube.com/@sommersethshaw
tiktok.com/leasommersethshaw
LEA CELIK SOMMERSETH SHAW
Lea Celik Sommerseth Shaw and her book Cargo Culture, dedicated to Tupac. Author self-portrait © Lea Celik Sommerseth Shaw
Lea and one of her LCSS INC books for her Brick Lane Music venture Cargo Culture. Tupac and the Echoes of the Motherland 2024 Editorial cover © Shakur Estate. Writer, Publisher, Proofreader, Creative Director © Lea Celik Sommerseth Shaw
Lea is indigenous to the Mediterranean region, with ancestry extending from Mount Ararat to the Russian peninsula. She was born in Smyrna İzmir and raised in Sweden, where her extended family has lived for generations. She studied children’s literature in Vimmerby and pursued studies in science and film. Her first language is Swedish, and she writes, proofreads, and publishes her work in English.
She is an independent worker who creates her work from scratch through distribution and promotes, publishes, and works for her own career. All of her works are created in her own name, are about herself and her life, fully belong to her, and are legally protected. While seeking political asylum together with her child due to political corruption, in order to establish a future in a country that respects human rights and democracy, her work remains independent.
Before settling in London to study film and gallery management at Birkbeck, she was in contact with Ingmar Bergman during his work on Queen Mary of Scots at Dramaten and collaborated on creative projects with her then neighbor. Later in London, she studied film production and worked with Ealing Studios, and also held discussions regarding film productions with Hasselblad and the Swedish regional film body Film i Väst.
She and her child commuted between London and Paris to take part in Paris Fashion Week–related activities. Her brand had, prior to the summer of 2022 and before traveling to Saint-Germain-des-Prés, been in contact with the British Fashion Council to register the brand as a British label. At the same time, she scheduled Safari art direction for her gallery project in collaboration with a Russian gallery in the Saint-Germain-des-Prés district.
Before taking maternity leave, she led and carried out multiple music projects in London and continued her philosophical research. She is a Swedish-Kurdish writer, film music composer, filmmaker, and creative director, and is also the founder and owner of LCSS INC.
At present, she uses only YouTube and TikTok as her social media platforms. Her social media always uses her real name and face and is consistently linked to her official website. She posts only publicly, does not use direct messages, and does not enable post notifications. She states that due to heavy scrutiny of her professional network, funds related to her published correspondence were stolen, and that this matter has been forwarded to the international community for intervention.
The Herald of Mesopotamia and LCSS INC Publications
The Herald of Mesopotamia is an independent publishing project founded and directed by Lea. It is conceived as a cultural, literary, and intellectual platform dedicated to memory, civilization, and transnational dialogue. Rooted in the historical and symbolic legacy of Mesopotamia—the cradle of writing, law, music, and human collective consciousness—the project explores how the values of ancient civilizations continue to resonate in contemporary global life.
Lea is Smyrna born and Native to the Mediterranean, her ancestry stretches from mount Ararat to Russian Peninsula, she grew up in Scandinavia where she has her extended family through generations, later moved to London where she had her kid, her first ’s first language is Swedish, and she uses Grammarly to refine her English.
Lea's publication projects serves as a space for independent thought beyond institutional, state, or corporate influence. Through essays, literary works, cultural criticism, historical reflections, and artistic contributions, The Herald of Mesopotamia as her other LCSS INC publications focuses on themes such as history, tradition, heritage, ethics, ecology, and the responsibility of philosophy in times of political and social transformation.
The Cargo Culture music projects
The Cargo Culture Independent Music projects and events was established by Lea after her Gallery management studies Birkbeck, and held some independent events in Brick Lane, which she has cancelled and postponed since commuting from London to Paris for the debut launch of some of her independent Brick Lane publications and productions.
Lea is a creative, multidisciplinary artist whose musical expression connects sound, culture, memory, and movement. Rooted in her Mediterranean heritage and global experiences, her music resists simple categorization, blending folk traditions, world rhythms, and electronic textures into a unique and deeply personal sonic composition.
The Cargo Culture Music Project, founded by Lea and developed through several music events in her Brick Lane neighborhood, serves as a creative platform for musical composition based on transnational exchange and cultural intersection.
The term Cargo Culture evokes international agenda, and the movement of artistic ideas across borders, much like cargo itself moves between ports, cultures, and histories.